Trapped (radio-edit) by Kolter cover art

Trapped (radio-edit)

Kolter

30s preview

Key
3B · D♭ major
BPM
130
Open Key
8d
Energy
97/100
Pop
73/100
Length
3:42
Released
2026
Genre
House
Loudness
-6.9 dB
Dynamics
10.9 dB
ISRC
DEH742609062

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Trapped (radio-edit): peak-time tempo house, D♭ major (3B), 130 BPM. Tonally it lands bright and euphoric. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Better known than 99% of Kolter's catalogue. For programming, treat it as a peak-time weapon.

Energy:
hotter than 94% of Kolter's catalogue
Groove:
less groove-driven than 88% of Kolter's catalogue
Brightness:
brighter than 86% of Kolter's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy97
Mood85Bright
Groove74
Acoustic1
Instrumental89
Live8
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
33%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
21%
Upper-mid
570 Hz-2.5 kHz
17%
High
2.5-11 kHz

FAQ

What key is Trapped (radio-edit) in?

Trapped (radio-edit) by Kolter is in D♭ major, or 3B on the Camelot wheel.

What BPM is Trapped (radio-edit)?

Trapped (radio-edit) runs at 130 BPM, a peak-time tempo track.

What mixes well with Trapped (radio-edit)?

From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.

Is Trapped (radio-edit) good for peak time?

With energy 97 out of 100 at 130 BPM, it works best as a peak-time weapon.

Mixes harmonically

3B2B · 4B · 3A

From 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.

Every move from 3B

4BSimple Mix Upper
2BSimple Mix Downer
3ATonal Shift·
4ADiagonal Mix Upper
2ADiagonal Mix Downer
6ACompatible Tone·
5BHigh Energy Boost▲▲▲
1BHigh Energy Drain▼▼▼
6BParallel Key Upper▲▲
12BParallel Key Downer▼▼
10BTritone Jump▲▲
7BRelated Keyrisky

How to mix it

In 3B at 130 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.

Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 97/100).

Similar tempo

Within ±3 BPM of 130 — beatmatch without a big tempo pull.

More house

More from Kolter

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track