Parallel Pulses by Cristi Cons cover art

Parallel Pulses

Cristi Cons

30s preview

Key
3B · D♭ major
BPM
130
Open Key
8d
Energy
97/100
Pop
2/100
Length
6:46
Released
2024
Genre
Tech House
Loudness
-7.7 dB
Dynamics
9.9 dB
ISRC
DEH742401577

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 130 BPM in D♭ major (3B), Parallel Pulses is a peak-time tempo tech house production. It reads as punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Hotter than 99% of Cristi Cons's catalogue. In a set it works best as a peak-time weapon.

Tempo:
faster than 94% of Cristi Cons's catalogue
Low end:
more treble-tilted than 90% of Cristi Cons's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy97
Mood46Balanced
Groove78
Acoustic9
Instrumental85
Live9
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
36%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
21%
Upper-mid
570 Hz-2.5 kHz
15%
High
2.5-11 kHz

FAQ

What key is Parallel Pulses in?

Parallel Pulses by Cristi Cons is in D♭ major, or 3B on the Camelot wheel.

What BPM is Parallel Pulses?

Parallel Pulses runs at 130 BPM, a peak-time tempo track.

What mixes well with Parallel Pulses?

From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.

Is Parallel Pulses good for peak time?

With energy 97 out of 100 at 130 BPM, it works best as a peak-time weapon.

Mixes harmonically

3B2B · 4B · 3A

From 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.

Every move from 3B

4BSimple Mix Upper
2BSimple Mix Downer
3ATonal Shift·
4ADiagonal Mix Upper
2ADiagonal Mix Downer
6ACompatible Tone·
5BHigh Energy Boost▲▲▲
1BHigh Energy Drain▼▼▼
6BParallel Key Upper▲▲
12BParallel Key Downer▼▼
10BTritone Jump▲▲
7BRelated Keyrisky

How to mix it

In 3B at 130 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.

Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 97/100).

Similar tempo

Within ±3 BPM of 130 — beatmatch without a big tempo pull.

More tech house

More from Cristi Cons

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track