Sundrenched Land
- BPM
- 127
- Open Key
- 3m
- Energy
- 55/100
- Pop
- 0/100
- Length
- 9:08
- Released
- 2007
- Album
- Anxious on Demand
- Genre
- Techno
- Loudness
- -11.6 dB
- ISRC
- DET740700034
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Sundrenched Land is a peak-time tempo techno track in B minor (10A) at 127 BPM. Tonally it lands dark and steady. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2007 production that still circulates in sets. More underground than 99% of Umek's catalogue. For programming, treat it as a mid-set roller.
- Energy:
- calmer than 96% of Umek's catalogue
- Low end:
- more bass-heavy than 91% of Umek's catalogue
- Groove:
- groovier than 90% of Umek's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 43%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 16%
- Upper-mid
- 570 Hz-2.5 kHz
- 11%
- High
- 2.5-11 kHz
FAQ
What key is Sundrenched Land in?
Sundrenched Land by Umek is in B minor, or 10A on the Camelot wheel.
What BPM is Sundrenched Land?
Sundrenched Land runs at 127 BPM, a peak-time tempo track.
What mixes well with Sundrenched Land?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Sundrenched Land good for peak time?
With energy 55 out of 100 at 127 BPM, it works best as a mid-set roller.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 127 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
