On A Train - Werner Niedermeier Remix by Pig&Dan cover art

On A Train - Werner Niedermeier Remix

Pig&Dan

30s preview

Key
11A · F♯ minor
BPM
127
Open Key
4m
Energy
53/100
Pop
0/100
Length
6:56
Released
2010
Album
On a Train
Genre
Techno
Loudness
-11.1 dB
Dynamics
10.7 dB
ISRC
DEU671001630

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (8A at 127 BPM), this version holds the same tempo and moves the key from 8A to 11A.

At 127 BPM in F♯ minor (11A), On A Train - Werner Niedermeier Remix is a peak-time tempo techno production. Tonally it lands dark and steady. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2010 production that still circulates in sets. More underground than 99% of Pig&Dan's catalogue. For programming, treat it as a mid-set roller.

Energy:
calmer than 88% of Pig&Dan's catalogue
Groove:
groovier than 79% of Pig&Dan's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy53
Mood26Dark
Groove80
Acoustic0
Instrumental89
Live5
Speech8

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
42%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
18%
Upper-mid
570 Hz-2.5 kHz
12%
High
2.5-11 kHz

FAQ

What key is On A Train - Werner Niedermeier Remix in?

On A Train - Werner Niedermeier Remix by Pig&Dan is in F♯ minor, or 11A on the Camelot wheel.

What BPM is On A Train - Werner Niedermeier Remix?

On A Train - Werner Niedermeier Remix runs at 127 BPM, a peak-time tempo track.

What mixes well with On A Train - Werner Niedermeier Remix?

From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.

Is On A Train - Werner Niedermeier Remix good for peak time?

With energy 53 out of 100 at 127 BPM, it works best as a mid-set roller.

Mixes harmonically

11A10A · 12A · 11B

From 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.

Every move from 11A

12ASimple Mix Upper
10ASimple Mix Downer
11BTonal Shift·
12BDiagonal Mix Upper
10BDiagonal Mix Downer
8BCompatible Tone·
1AHigh Energy Boost▲▲▲
9AHigh Energy Drain▼▼▼
2AParallel Key Upper▲▲
8AParallel Key Downer▼▼
6ATritone Jump▲▲
3ARelated Keyrisky

How to mix it

In 11A at 127 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.

Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 127 — beatmatch without a big tempo pull.

More techno

More from Pig&Dan

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track