Army Of Two - Radio Version
30s preview
- Key
- 5A · C minor
- BPM
- 128
- Open Key
- 10m
- Energy
- 68/100
- Pop
- 36/100
- Length
- 3:08
- Released
- 2008
- Album
- Army Of Two
- Genre
- Tech House
- Label
- Pilot6 Recordings
- Loudness
- -9.2 dB
- Dynamics
- 10.9 dB
- ISRC
- NLF710801130
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Army Of Two - Original Mixoriginal5A · 128
- Army Of Two - Jay Lumen Main Stage Remixremix3A · 128
Against the original (5A at 128 BPM), this version holds the same tempo in the same key.
At 128 BPM in C minor (5A), Army Of Two - Radio Version is a peak-time tempo tech house production. It reads as punchy, neutral in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2008 production that still circulates in sets. Better known than 98% of Umek's catalogue. In a set it works best as a mid-set roller.
- Groove:
- groovier than 89% of Umek's catalogue
- Energy:
- calmer than 86% of Umek's catalogue
- Brightness:
- brighter than 85% of Umek's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Army Of Two - Radio Version in?
Army Of Two - Radio Version by Umek is in C minor, or 5A on the Camelot wheel.
What BPM is Army Of Two - Radio Version?
Army Of Two - Radio Version runs at 128 BPM, a peak-time tempo track.
What mixes well with Army Of Two - Radio Version?
From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.
Is Army Of Two - Radio Version good for peak time?
With energy 68 out of 100 at 128 BPM, it works best as a mid-set roller.
Mixes harmonically
5A → 4A · 6A · 5BFrom 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.
How to mix it
In 5A at 128 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More tech house
More from Umek
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
