
15 Days - Rafael Remix
- Key
- 6A · G minor
- BPM
- 128
- Open Key
- 11m
- Energy
- 75/100
- Pop
- 21/100
- Length
- 5:15
- Released
- 2023
- Album
- 15 Days Remixes
- Genre
- House
- Loudness
- -5.1 dB
- ISRC
- NLHR22300847
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- 15 Days - Raz Alon Remixremix1B · 124
- 15 Daysoriginal4A · 124
- 15 Days - Rafael Remixremix6A · 128
- 15 Days - LuSiD Remixremix4A · 124
- 15 days - Raz Alon Remixremix3B · 124
- 15 Days - Bonafique Remixremix3A · 123
Against the original (4A at 124 BPM), this version runs 4 BPM faster and moves the key from 4A to 6A.
15 Days - Rafael Remix is a peak-time tempo house track in G minor (6A) at 128 BPM. The feel is bright and euphoric. The groove is strong and floor-ready. The mix is almost entirely instrumental. Faster than 96% of Adam Ten's catalogue. For programming, treat it as a peak-time weapon.
- Brightness:
- brighter than 83% of Adam Ten's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is 15 Days - Rafael Remix in?
15 Days - Rafael Remix by Adam Ten is in G minor, or 6A on the Camelot wheel.
What BPM is 15 Days - Rafael Remix?
15 Days - Rafael Remix runs at 128 BPM, a peak-time tempo track.
What mixes well with 15 Days - Rafael Remix?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is 15 Days - Rafael Remix good for peak time?
With energy 75 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
How to mix it
In 6A at 128 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 75/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More house
More from Adam Ten
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.