15 Days - Bonafique Remix
30s preview
- BPM
- 123
- Open Key
- 8m
- Energy
- 80/100
- Pop
- 3/100
- Length
- 5:34
- Released
- 2022
- Album
- 15 Days
- Genre
- House
- Loudness
- -4.1 dB
- Dynamics
- 12.3 dB
- ISRC
- QMDA72490389
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- 15 Days - Raz Alon Remixremix1B · 124
- 15 Days - Rafael Remixremix6A · 128
- 15 Daysoriginal4A · 124
- 15 Days - Rafael Remixremix6A · 128
- 15 Days - LuSiD Remixremix4A · 124
- 15 days - Raz Alon Remixremix3B · 124
Against the original (4A at 124 BPM), this version runs 1 BPM slower and moves the key from 4A to 3A.
15 Days - Bonafique Remix is a club-tempo house track in B♭ minor (3A) at 123 BPM. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 12 dB). More underground than 80% of Adam Ten's catalogue.
- Low end:
- more treble-tilted than 76% of Adam Ten's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is 15 Days - Bonafique Remix in?
15 Days - Bonafique Remix by Adam Ten is in B♭ minor, or 3A on the Camelot wheel.
What BPM is 15 Days - Bonafique Remix?
15 Days - Bonafique Remix runs at 123 BPM, a club-tempo track.
What mixes well with 15 Days - Bonafique Remix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is 15 Days - Bonafique Remix good for peak time?
With energy 80 out of 100 at 123 BPM, it works best as a floor-filler.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 123 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More house
More from Adam Ten
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
