Trabant by Tim Engelhardt cover art

30s preview

Key
12A · D♭ minor
BPM
123
Open Key
5m
Energy
80/100
Pop
0/100
Length
8:54
Released
2016
Genre
Tech House
Loudness
-9.7 dB
Dynamics
10.4 dB
ISRC
NLEW21600001

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Trabant runs 123 BPM in D♭ minor (12A), a club-tempo tech house record. Tonally it lands dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2016 production that still circulates in sets. More underground than 99% of Tim Engelhardt's catalogue. For programming, treat it as a floor-filler.

Energy:
hotter than 76% of Tim Engelhardt's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy80
Mood28Dark
Groove80
Acoustic6
Instrumental90
Live6
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
40%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
17%
Upper-mid
570 Hz-2.5 kHz
15%
High
2.5-11 kHz

FAQ

What key is Trabant in?

Trabant by Tim Engelhardt is in D♭ minor, or 12A on the Camelot wheel.

What BPM is Trabant?

Trabant runs at 123 BPM, a club-tempo track.

What mixes well with Trabant?

From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.

Is Trabant good for peak time?

With energy 80 out of 100 at 123 BPM, it works best as a floor-filler.

Mixes harmonically

12A11A · 1A · 12B

From 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.

Every move from 12A

1ASimple Mix Upper
11ASimple Mix Downer
12BTonal Shift·
1BDiagonal Mix Upper
11BDiagonal Mix Downer
9BCompatible Tone·
2AHigh Energy Boost▲▲▲
10AHigh Energy Drain▼▼▼
3AParallel Key Upper▲▲
9AParallel Key Downer▼▼
7ATritone Jump▲▲
4ARelated Keyrisky

How to mix it

In 12A at 123 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.

Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 123 — beatmatch without a big tempo pull.

More tech house

More from Tim Engelhardt

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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