15 Days - Rafael Remix
30s preview
- Key
- 6A · G minor
- BPM
- 128
- Open Key
- 11m
- Energy
- 75/100
- Pop
- 6/100
- Length
- 5:15
- Released
- 2023
- Album
- 15 Days (Remixes)
- Genre
- House
- Loudness
- -5.1 dB
- Dynamics
- 15.5 dB
- ISRC
- QMDA72498730
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- 15 Days - Raz Alon Remixremix1B · 124
- 15 Days - Rafael Remixremix6A · 128
- 15 Daysoriginal4A · 124
- 15 Days - LuSiD Remixremix4A · 124
- 15 days - Raz Alon Remixremix3B · 124
- 15 Days - Bonafique Remixremix3A · 123
Against the original (4A at 124 BPM), this version runs 4 BPM faster and moves the key from 4A to 6A.
15 Days - Rafael Remix: peak-time tempo house, G minor (6A), 128 BPM. The feel is bright and euphoric. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 16 dB). Faster than 96% of Adam Ten's catalogue.
- Low end:
- more treble-tilted than 89% of Adam Ten's catalogue
- Brightness:
- brighter than 87% of Adam Ten's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is 15 Days - Rafael Remix in?
15 Days - Rafael Remix by Adam Ten is in G minor, or 6A on the Camelot wheel.
What BPM is 15 Days - Rafael Remix?
15 Days - Rafael Remix runs at 128 BPM, a peak-time tempo track.
What mixes well with 15 Days - Rafael Remix?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is 15 Days - Rafael Remix good for peak time?
With energy 75 out of 100 at 128 BPM, it works best as a floor-filler.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
How to mix it
In 6A at 128 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More house
More from Adam Ten
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
