Moog Me - Dakota Remix by Marcus Schössow cover art

Moog Me - Dakota Remix

Marcus Schössow

30s preview

Key
12B · E major
BPM
128
Open Key
5d
Energy
69/100
Pop
0/100
Length
8:45
Released
2007
Album
Moog Me
Genre
Progressive House
Label
GU Music
Loudness
-10.9 dB
Dynamics
12.4 dB
ISRC
GBHFW0700966

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (4B at 126 BPM), this version runs 2 BPM faster and moves the key from 4B to 12B.

Moog Me - Dakota Remix: peak-time tempo progressive house, E major (12B), 128 BPM. Tonally it lands dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). A 2007 production that still circulates in sets. More underground than 99% of Marcus Schössow's catalogue. In a set it works best as a mid-set roller.

Groove:
groovier than 93% of Marcus Schössow's catalogue
Low end:
more bass-heavy than 78% of Marcus Schössow's catalogue
Energy:
calmer than 76% of Marcus Schössow's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy69
Mood16Dark
Groove80
Acoustic0
Instrumental75
Live8
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
39%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
19%
Upper-mid
570 Hz-2.5 kHz
15%
High
2.5-11 kHz

FAQ

What key is Moog Me - Dakota Remix in?

Moog Me - Dakota Remix by Marcus Schössow is in E major, or 12B on the Camelot wheel.

What BPM is Moog Me - Dakota Remix?

Moog Me - Dakota Remix runs at 128 BPM, a peak-time tempo track.

What mixes well with Moog Me - Dakota Remix?

From 12B it blends harmonically with 1B, 12A, 11B. Moving to 1B lifts the energy a step.

Is Moog Me - Dakota Remix good for peak time?

With energy 69 out of 100 at 128 BPM, it works best as a mid-set roller.

Mixes harmonically

12B11B · 1B · 12A

From 12B, 1B (B major) lifts the energy a step; 12A (D♭ minor) settles into the relative minor; 11B (A major) cools the energy down a step.

#Track

Every move from 12B

1BSimple Mix Upper
11BSimple Mix Downer
12ATonal Shift·
1ADiagonal Mix Upper
11ADiagonal Mix Downer
3ACompatible Tone·
2BHigh Energy Boost▲▲▲
10BHigh Energy Drain▼▼▼
3BParallel Key Upper▲▲
9BParallel Key Downer▼▼
7BTritone Jump▲▲
4BRelated Keyrisky

How to mix it

In 12B at 128 BPM: 1B (B major) — move to 1B to push the floor harder; 12A (D♭ minor) — switch to 12A for a mood change without losing the groove; 11B (A major) — drop to 11B to bring the room down gently.

Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7B rather than 12B; below -5% it reads as 5B. With key lock on, it stays 12B across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 128 — beatmatch without a big tempo pull.

More progressive house

More from Marcus Schössow

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track