State of Mind by Ann Clue cover art

State of Mind

Ann Clue

30s preview

Key
11A · F♯ minor
BPM
128
Open Key
4m
Energy
70/100
Pop
26/100
Length
9:10
Released
2020
Genre
Techno
Loudness
-13.1 dB
Dynamics
7.3 dB
ISRC
DEY472080677

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A peak-time tempo techno cut, State of Mind sits in F♯ minor (11A) at 128 BPM. The feel is dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. Darker than 99% of Ann Clue's catalogue. In a set it works best as a mid-set roller.

Tempo:
faster than 81% of Ann Clue's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy70
Mood4Dark
Groove78
Acoustic46
Instrumental82
Live12
Speech7

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
40%
Low
30-130 Hz
31%
Low-mid
130-570 Hz
20%
Upper-mid
570 Hz-2.5 kHz
10%
High
2.5-11 kHz

FAQ

What key is State of Mind in?

State of Mind by Ann Clue is in F♯ minor, or 11A on the Camelot wheel.

What BPM is State of Mind?

State of Mind runs at 128 BPM, a peak-time tempo track.

What mixes well with State of Mind?

From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.

Is State of Mind good for peak time?

With energy 70 out of 100 at 128 BPM, it works best as a mid-set roller.

Mixes harmonically

11A10A · 12A · 11B

From 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.

#Track

Every move from 11A

12ASimple Mix Upper
10ASimple Mix Downer
11BTonal Shift·
12BDiagonal Mix Upper
10BDiagonal Mix Downer
8BCompatible Tone·
1AHigh Energy Boost▲▲▲
9AHigh Energy Drain▼▼▼
2AParallel Key Upper▲▲
8AParallel Key Downer▼▼
6ATritone Jump▲▲
3ARelated Keyrisky

How to mix it

In 11A at 128 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.

Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 128 — beatmatch without a big tempo pull.

More techno

More from Ann Clue

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track