Die Grünschenkel im blauen Priel
30s preview
- BPM
- 127
- Open Key
- 9d
- Energy
- 55/100
- Pop
- 0/100
- Length
- 11:14
- Released
- 2007
- Album
- Limikolen
- Genre
- Tech House
- Loudness
- -12.9 dB
- Dynamics
- 11.3 dB
- ISRC
- DEBW20700055
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 127 BPM in A♭ major (4B), Die Grünschenkel im blauen Priel is a peak-time tempo tech house production. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 11 dB). A 2007 production that still circulates in sets. More underground than 99% of Dominik Eulberg's catalogue. In a set it works best as a mid-set roller.
- Low end:
- more bass-heavy than 85% of Dominik Eulberg's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 45%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 8%
- High
- 2.5-11 kHz
FAQ
What key is Die Grünschenkel im blauen Priel in?
Die Grünschenkel im blauen Priel by Dominik Eulberg is in A♭ major, or 4B on the Camelot wheel.
What BPM is Die Grünschenkel im blauen Priel?
Die Grünschenkel im blauen Priel runs at 127 BPM, a peak-time tempo track.
What mixes well with Die Grünschenkel im blauen Priel?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Die Grünschenkel im blauen Priel good for peak time?
With energy 55 out of 100 at 127 BPM, it works best as a mid-set roller.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
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How to mix it
In 4B at 127 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More tech house
More from Dominik Eulberg
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
