How's The Music REMIXES - Winx Basic 909 Pass
30s preview
- BPM
- 127
- Open Key
- 8m
- Energy
- 48/100
- Pop
- 0/100
- Length
- 13:06
- Released
- 2008
- Album
- How's The Music REMIXES
- Genre
- Acid
- Loudness
- -17.3 dB
- Dynamics
- 14.2 dB
- ISRC
- USNRS0825351
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- How's The Music REMIXES - Drax (Groove Da S**t) Remixremix1B · 128
- How's The Music REMIXES - Grassman Mixremix9A · 125
- How's The Music REMIXES - Headroom Deep Remixremix7B · 129
- How's The Music REMIXES - Winx Basic Beatsremix10A · 127
At 127 BPM in B♭ minor (3A), How's The Music REMIXES - Winx Basic 909 Pass is a peak-time tempo acid production. The feel is bright and easy. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). A 2008 production that still circulates in sets. More underground than 99% of Josh Wink's catalogue. In a set it works best as a mid-set roller.
- Energy:
- calmer than 92% of Josh Wink's catalogue
- Low end:
- more bass-heavy than 76% of Josh Wink's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is How's The Music REMIXES - Winx Basic 909 Pass in?
How's The Music REMIXES - Winx Basic 909 Pass by Josh Wink is in B♭ minor, or 3A on the Camelot wheel.
What BPM is How's The Music REMIXES - Winx Basic 909 Pass?
How's The Music REMIXES - Winx Basic 909 Pass runs at 127 BPM, a peak-time tempo track.
What mixes well with How's The Music REMIXES - Winx Basic 909 Pass?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is How's The Music REMIXES - Winx Basic 909 Pass good for peak time?
With energy 48 out of 100 at 127 BPM, it works best as a mid-set roller.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 127 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More acid
More from Josh Wink
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
