Mobility by Truncate cover art

Mobility

Truncate

30s preview

Key
10A · B minor
BPM
126
Open Key
3m
Energy
48/100
Pop
0/100
Length
6:38
Released
2011
Album
Degrees of Motion
Genre
Techno
Loudness
-12.3 dB
Dynamics
9.1 dB
ISRC
USA2P2015121

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Mobility runs 126 BPM in B minor (10A), a club-tempo techno record. Tonally it lands dark and steady. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2011 production that still circulates in sets. More underground than 99% of Truncate's catalogue. In a set it works best as a mid-set roller.

Energy:
calmer than 93% of Truncate's catalogue
Groove:
groovier than 92% of Truncate's catalogue
Tempo:
slower than 87% of Truncate's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy48
Mood21Dark
Groove87
Acoustic10
Instrumental89
Live11
Speech13

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
41%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
19%
Upper-mid
570 Hz-2.5 kHz
12%
High
2.5-11 kHz

FAQ

What key is Mobility in?

Mobility by Truncate is in B minor, or 10A on the Camelot wheel.

What BPM is Mobility?

Mobility runs at 126 BPM, a club-tempo track.

What mixes well with Mobility?

From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.

Is Mobility good for peak time?

With energy 48 out of 100 at 126 BPM, it works best as a mid-set roller.

Mixes harmonically

10A9A · 11A · 10B

From 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.

#Track

Every move from 10A

11ASimple Mix Upper
9ASimple Mix Downer
10BTonal Shift·
11BDiagonal Mix Upper
9BDiagonal Mix Downer
7BCompatible Tone·
12AHigh Energy Boost▲▲▲
8AHigh Energy Drain▼▼▼
1AParallel Key Upper▲▲
7AParallel Key Downer▼▼
5ATritone Jump▲▲
2ARelated Keyrisky

How to mix it

In 10A at 126 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.

Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 126 — beatmatch without a big tempo pull.

#Track

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Full profile
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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track