Abscondence by Recondite cover art

Abscondence

Recondite

30s preview

Key
10A · B minor
BPM
125
Open Key
3m
Energy
49/100
Pop
0/100
Length
6:34
Released
2013
Genre
Techno
Loudness
-14.6 dB
Dynamics
10.5 dB
ISRC
US2J71309007

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Abscondence is a club-tempo techno track in B minor (10A) at 125 BPM. The feel is dark and steady. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2013 production that still circulates in sets. More underground than 99% of Recondite's catalogue. In a set it works best as a mid-set roller.

Low end:
more bass-heavy than 84% of Recondite's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy49
Mood25Dark
Groove72
Acoustic5
Instrumental83
Live7
Speech6

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
52%
Low
30-130 Hz
34%
Low-mid
130-570 Hz
13%
Upper-mid
570 Hz-2.5 kHz
1%
High
2.5-11 kHz

FAQ

What key is Abscondence in?

Abscondence by Recondite is in B minor, or 10A on the Camelot wheel.

What BPM is Abscondence?

Abscondence runs at 125 BPM, a club-tempo track.

What mixes well with Abscondence?

From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.

Is Abscondence good for peak time?

With energy 49 out of 100 at 125 BPM, it works best as a mid-set roller.

Mixes harmonically

10A9A · 11A · 10B

From 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.

#Track

Every move from 10A

11ASimple Mix Upper
9ASimple Mix Downer
10BTonal Shift·
11BDiagonal Mix Upper
9BDiagonal Mix Downer
7BCompatible Tone·
12AHigh Energy Boost▲▲▲
8AHigh Energy Drain▼▼▼
1AParallel Key Upper▲▲
7AParallel Key Downer▼▼
5ATritone Jump▲▲
2ARelated Keyrisky

How to mix it

In 10A at 125 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.

Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 125 — beatmatch without a big tempo pull.

#Track

More techno

More from Recondite

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track