EC10 by Recondite cover art

30s preview

Key
12B · E major
BPM
126
Open Key
5d
Energy
38/100
Pop
0/100
Length
7:41
Released
2013
Genre
Techno
Loudness
-12.4 dB
Dynamics
11.7 dB
ISRC
DERW31300303

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

EC10 runs 126 BPM in E major (12B), a club-tempo techno record. It reads as brooding and low-slung. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). A 2013 production that still circulates in sets. More underground than 99% of Recondite's catalogue. In a set it works best as a warm-up or breakdown cut.

Low end:
more bass-heavy than 92% of Recondite's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy38
Mood22Dark
Groove78
Acoustic5
Instrumental88
Live11
Speech5
darkpartyinstrumental

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
54%
Low
30-130 Hz
31%
Low-mid
130-570 Hz
13%
Upper-mid
570 Hz-2.5 kHz
2%
High
2.5-11 kHz

FAQ

What key is EC10 in?

EC10 by Recondite is in E major, or 12B on the Camelot wheel.

What BPM is EC10?

EC10 runs at 126 BPM, a club-tempo track.

What mixes well with EC10?

From 12B it blends harmonically with 1B, 12A, 11B. Moving to 1B lifts the energy a step.

Is EC10 good for peak time?

With energy 38 out of 100 at 126 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

12B11B · 1B · 12A

From 12B, 1B (B major) lifts the energy a step; 12A (D♭ minor) settles into the relative minor; 11B (A major) cools the energy down a step.

#Track

Every move from 12B

1BSimple Mix Upper
11BSimple Mix Downer
12ATonal Shift·
1ADiagonal Mix Upper
11ADiagonal Mix Downer
3ACompatible Tone·
2BHigh Energy Boost▲▲▲
10BHigh Energy Drain▼▼▼
3BParallel Key Upper▲▲
9BParallel Key Downer▼▼
7BTritone Jump▲▲
4BRelated Keyrisky

How to mix it

In 12B at 126 BPM: 1B (B major) — move to 1B to push the floor harder; 12A (D♭ minor) — switch to 12A for a mood change without losing the groove; 11B (A major) — drop to 11B to bring the room down gently.

Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7B rather than 12B; below -5% it reads as 5B. With key lock on, it stays 12B across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 126 — beatmatch without a big tempo pull.

#Track

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track