Plasticity (Remastered)
30s preview
- BPM
- 126
- Open Key
- 8d
- Energy
- 51/100
- Pop
- 17/100
- Length
- 10:44
- Released
- 1993
- Album
- Sheet One (Remastered)
- Genre
- Techno
- Loudness
- -12.2 dB
- Dynamics
- 16.8 dB
- ISRC
- CAM269380033
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Plasticity (2023 Remastered)original3B · 126
A club-tempo techno cut, Plasticity (Remastered) sits in D♭ major (3B) at 126 BPM. Tonally it lands balanced in mood. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 17 dB). A 1993 production that still circulates in sets. Brighter than 90% of Richie Hawtin's catalogue. In a set it works best as a mid-set roller.
- Reach:
- better known than 76% of Richie Hawtin's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 38%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 4%
- High
- 2.5-11 kHz
FAQ
What key is Plasticity (Remastered) in?
Plasticity (Remastered) by Richie Hawtin is in D♭ major, or 3B on the Camelot wheel.
What BPM is Plasticity (Remastered)?
Plasticity (Remastered) runs at 126 BPM, a club-tempo track.
What mixes well with Plasticity (Remastered)?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Plasticity (Remastered) good for peak time?
With energy 51 out of 100 at 126 BPM, it works best as a mid-set roller.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 126 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More techno
More from Richie Hawtin
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
