Psyk by Richie Hawtin cover art

30s preview

Key
4A · F minor
BPM
119
Open Key
9m
Energy
34/100
Pop
28/100
Length
8:31
Released
1998
Album
Artifakts (BC)
Genre
Techno
Loudness
-21.5 dB
Dynamics
13.7 dB
ISRC
CAM269850018

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Psyk runs 119 BPM in F minor (4A), a club-tempo techno record. The feel is brooding and low-slung. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). A 1998 production that still circulates in sets. Better known than 95% of Richie Hawtin's catalogue. In a set it works best as a warm-up or breakdown cut.

Tempo:
slower than 82% of Richie Hawtin's catalogue
Low end:
more bass-heavy than 82% of Richie Hawtin's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy34
Mood17Dark
Groove68
Acoustic21
Instrumental94
Live11
Speech6

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
55%
Low
30-130 Hz
34%
Low-mid
130-570 Hz
11%
Upper-mid
570 Hz-2.5 kHz
0%
High
2.5-11 kHz

FAQ

What key is Psyk in?

Psyk by Richie Hawtin is in F minor, or 4A on the Camelot wheel.

What BPM is Psyk?

Psyk runs at 119 BPM, a club-tempo track.

What mixes well with Psyk?

From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.

Is Psyk good for peak time?

With energy 34 out of 100 at 119 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

4A3A · 5A · 4B

From 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.

#Track

Every move from 4A

5ASimple Mix Upper
3ASimple Mix Downer
4BTonal Shift·
5BDiagonal Mix Upper
3BDiagonal Mix Downer
1BCompatible Tone·
6AHigh Energy Boost▲▲▲
2AHigh Energy Drain▼▼▼
7AParallel Key Upper▲▲
1AParallel Key Downer▼▼
11ATritone Jump▲▲
8ARelated Keyrisky

How to mix it

In 4A at 119 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.

Pitch range at ±6%: 112-126 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 119 — beatmatch without a big tempo pull.

#Track

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 119 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track