People Wouldn’t Believe by Recondite cover art

People Wouldn’t Believe

Recondite

30s preview

Key
7B · F major
BPM
120
Open Key
12d
Energy
37/100
Pop
6/100
Length
4:21
Released
2023
Genre
Techno
Loudness
-14.5 dB
Dynamics
8.4 dB
ISRC
DERW31501001

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

People Wouldn’t Believe runs 120 BPM in F major (7B), a club-tempo techno record. The feel is brooding and low-slung. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. Darker than 80% of Recondite's catalogue.

Tempo:
slower than 79% of Recondite's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy37
Mood4Dark
Groove72
Acoustic18
Instrumental87
Live11
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
49%
Low
30-130 Hz
31%
Low-mid
130-570 Hz
16%
Upper-mid
570 Hz-2.5 kHz
4%
High
2.5-11 kHz

FAQ

What key is People Wouldn’t Believe in?

People Wouldn’t Believe by Recondite is in F major, or 7B on the Camelot wheel.

What BPM is People Wouldn’t Believe?

People Wouldn’t Believe runs at 120 BPM, a club-tempo track.

What mixes well with People Wouldn’t Believe?

From 7B it blends harmonically with 8B, 7A, 6B. Moving to 8B lifts the energy a step.

Is People Wouldn’t Believe good for peak time?

With energy 37 out of 100 at 120 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

7B6B · 8B · 7A

From 7B, 8B (C major) lifts the energy a step; 7A (D minor) settles into the relative minor; 6B (B♭ major) cools the energy down a step.

#Track

Every move from 7B

8BSimple Mix Upper
6BSimple Mix Downer
7ATonal Shift·
8ADiagonal Mix Upper
6ADiagonal Mix Downer
10ACompatible Tone·
9BHigh Energy Boost▲▲▲
5BHigh Energy Drain▼▼▼
10BParallel Key Upper▲▲
4BParallel Key Downer▼▼
2BTritone Jump▲▲
11BRelated Keyrisky

How to mix it

In 7B at 120 BPM: 8B (C major) — move to 8B to push the floor harder; 7A (D minor) — switch to 7A for a mood change without losing the groove; 6B (B♭ major) — drop to 6B to bring the room down gently.

Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2B rather than 7B; below -5% it reads as 12B. With key lock on, it stays 7B across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 120 — beatmatch without a big tempo pull.

#Track

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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