Dolly
30s preview
- BPM
- 120
- Open Key
- 5m
- Energy
- 38/100
- Pop
- 1/100
- Length
- 7:02
- Released
- 2014
- Genre
- Tech House
- Loudness
- -12.1 dB
- Dynamics
- 9.6 dB
- ISRC
- DESH41400032
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Dolly is a club-tempo tech house track in D♭ minor (12A) at 120 BPM. The feel is brooding and low-slung. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2014 production that still circulates in sets. Calmer than 99% of Marcus Meinhardt's catalogue. In a set it works best as a warm-up or breakdown cut.
- Tempo:
- slower than 99% of Marcus Meinhardt's catalogue
- Low end:
- more bass-heavy than 99% of Marcus Meinhardt's catalogue
- Brightness:
- darker than 89% of Marcus Meinhardt's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 50%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 14%
- Upper-mid
- 570 Hz-2.5 kHz
- 7%
- High
- 2.5-11 kHz
FAQ
What key is Dolly in?
Dolly by Marcus Meinhardt is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Dolly?
Dolly runs at 120 BPM, a club-tempo track.
What mixes well with Dolly?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Dolly good for peak time?
With energy 38 out of 100 at 120 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 120 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More tech house
More from Marcus Meinhardt
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
