A Lovestoned Ghost - Original Mix
30s preview
- Key
- 8A · A minor
- BPM
- 120
- Open Key
- 1m
- Energy
- 39/100
- Pop
- 0/100
- Length
- 6:01
- Released
- 2012
- Album
- You and a Lovestoned Ghost
- Genre
- House
- Loudness
- -10.6 dB
- Dynamics
- 13.8 dB
- ISRC
- DEPL91207032
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- A Lovestoned Ghost - Short Versionoriginal10A · 120
A Lovestoned Ghost - Original Mix is a club-tempo house track in A minor (8A) at 120 BPM. It reads as warm and mellow. The groove is strong and floor-ready. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). A 2012 production that still circulates in sets. Calmer than 99% of Marlon Hoffstadt's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Reach:
- more underground than 99% of Marlon Hoffstadt's catalogue
- Groove:
- groovier than 93% of Marlon Hoffstadt's catalogue
- Tempo:
- slower than 91% of Marlon Hoffstadt's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is A Lovestoned Ghost - Original Mix in?
A Lovestoned Ghost - Original Mix by Marlon Hoffstadt is in A minor, or 8A on the Camelot wheel.
What BPM is A Lovestoned Ghost - Original Mix?
A Lovestoned Ghost - Original Mix runs at 120 BPM, a club-tempo track.
What mixes well with A Lovestoned Ghost - Original Mix?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is A Lovestoned Ghost - Original Mix good for peak time?
With energy 39 out of 100 at 120 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 120 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More house
More from Marlon Hoffstadt
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
