Beautiful Girl - Tim Green Remix
30s preview
- BPM
- 120
- Open Key
- 9d
- Energy
- 41/100
- Pop
- 0/100
- Length
- 9:06
- Released
- 2013
- Album
- Get Physical Music Presents: Body Language, Vol. 18 by Tim Green
- Genre
- Tech House
- Loudness
- -12.0 dB
- Dynamics
- 10.5 dB
- ISRC
- DEBE71500210
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Beautiful Girl - Tim Green Remixremix4B · 120
Beautiful Girl - Tim Green Remix is a club-tempo tech house track in A♭ major (4B) at 120 BPM. It reads as dark and steady. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2013 production that still circulates in sets. More underground than 99% of Tim Green's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Energy:
- calmer than 96% of Tim Green's catalogue
- Tempo:
- slower than 94% of Tim Green's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 41%
- Low
- 30-130 Hz
- 33%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 7%
- High
- 2.5-11 kHz
FAQ
What key is Beautiful Girl - Tim Green Remix in?
Beautiful Girl - Tim Green Remix by Tim Green is in A♭ major, or 4B on the Camelot wheel.
What BPM is Beautiful Girl - Tim Green Remix?
Beautiful Girl - Tim Green Remix runs at 120 BPM, a club-tempo track.
What mixes well with Beautiful Girl - Tim Green Remix?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Beautiful Girl - Tim Green Remix good for peak time?
With energy 41 out of 100 at 120 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 120 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More tech house
More from Tim Green
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
