Room 1605 - Matt Hardinge Remix by Namito cover art

Room 1605 - Matt Hardinge Remix

Namito

30s preview

Key
7B · F major
BPM
120
Open Key
12d
Energy
36/100
Pop
0/100
Length
6:36
Released
2014
Album
Room 1605
Genre
Tech House
Loudness
-12.3 dB
Dynamics
9.7 dB
ISRC
DEPL91466072

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (8A at 120 BPM), this version holds the same tempo and moves the key from 8A to 7B.

Room 1605 - Matt Hardinge Remix: club-tempo tech house, F major (7B), 120 BPM. The feel is subdued and even. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2014 production that still circulates in sets. More underground than 99% of Namito's catalogue. In a set it works best as a warm-up or breakdown cut.

Energy:
calmer than 95% of Namito's catalogue
Low end:
more bass-heavy than 83% of Namito's catalogue
Tempo:
slower than 77% of Namito's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy36
Mood35Balanced
Groove73
Acoustic1
Instrumental88
Live9
Speech6

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
46%
Low
30-130 Hz
31%
Low-mid
130-570 Hz
18%
Upper-mid
570 Hz-2.5 kHz
5%
High
2.5-11 kHz

FAQ

What key is Room 1605 - Matt Hardinge Remix in?

Room 1605 - Matt Hardinge Remix by Namito is in F major, or 7B on the Camelot wheel.

What BPM is Room 1605 - Matt Hardinge Remix?

Room 1605 - Matt Hardinge Remix runs at 120 BPM, a club-tempo track.

What mixes well with Room 1605 - Matt Hardinge Remix?

From 7B it blends harmonically with 8B, 7A, 6B. Moving to 8B lifts the energy a step.

Is Room 1605 - Matt Hardinge Remix good for peak time?

With energy 36 out of 100 at 120 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

7B6B · 8B · 7A

From 7B, 8B (C major) lifts the energy a step; 7A (D minor) settles into the relative minor; 6B (B♭ major) cools the energy down a step.

Every move from 7B

8BSimple Mix Upper
6BSimple Mix Downer
7ATonal Shift·
8ADiagonal Mix Upper
6ADiagonal Mix Downer
10ACompatible Tone·
9BHigh Energy Boost▲▲▲
5BHigh Energy Drain▼▼▼
10BParallel Key Upper▲▲
4BParallel Key Downer▼▼
2BTritone Jump▲▲
11BRelated Keyrisky

How to mix it

In 7B at 120 BPM: 8B (C major) — move to 8B to push the floor harder; 7A (D minor) — switch to 7A for a mood change without losing the groove; 6B (B♭ major) — drop to 6B to bring the room down gently.

Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2B rather than 7B; below -5% it reads as 12B. With key lock on, it stays 7B across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 120 — beatmatch without a big tempo pull.

More tech house

More from Namito

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track