Edlich - Flinsch & Nielson Edit
30s preview
- BPM
- 127
- Open Key
- 3m
- Energy
- 49/100
- Pop
- 0/100
- Length
- 6:35
- Released
- 2007
- Album
- Edlich EP
- Genre
- Tech House
- Loudness
- -11.3 dB
- Dynamics
- 10.0 dB
- ISRC
- DEH740700156
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Edlichoriginal10A · 129
Against the original (10A at 129 BPM), this version runs 2 BPM slower in the same key.
Edlich - Flinsch & Nielson Edit: peak-time tempo tech house, B minor (10A), 127 BPM. The feel is balanced in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2007 production that still circulates in sets. More underground than 99% of Super Flu's catalogue. For programming, treat it as a mid-set roller.
- Low end:
- more bass-heavy than 97% of Super Flu's catalogue
- Brightness:
- brighter than 84% of Super Flu's catalogue
- Energy:
- calmer than 82% of Super Flu's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 50%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 12%
- Upper-mid
- 570 Hz-2.5 kHz
- 9%
- High
- 2.5-11 kHz
FAQ
What key is Edlich - Flinsch & Nielson Edit in?
Edlich - Flinsch & Nielson Edit by Super Flu is in B minor, or 10A on the Camelot wheel.
What BPM is Edlich - Flinsch & Nielson Edit?
Edlich - Flinsch & Nielson Edit runs at 127 BPM, a peak-time tempo track.
What mixes well with Edlich - Flinsch & Nielson Edit?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Edlich - Flinsch & Nielson Edit good for peak time?
With energy 49 out of 100 at 127 BPM, it works best as a mid-set roller.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 127 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More tech house
More from Super Flu
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
