Disaffected (Ben Klock mix)
- Key
- 9B · G major
- BPM
- 127
- Open Key
- 2d
- Energy
- 48/100
- Pop
- 31/100
- Length
- 7:40
- Released
- 2008
- Genre
- Techno
- Loudness
- -11.8 dB
- ISRC
- GBPVV2300508
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Disaffectedoriginal9B · 127
At 127 BPM in G major (9B), Disaffected (Ben Klock mix) is a peak-time tempo techno production. Tonally it lands dark and steady. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2008 production that still circulates in sets. Better known than 98% of Function's catalogue. In a set it works best as a mid-set roller.
- Groove:
- groovier than 85% of Function's catalogue
- Low end:
- more bass-heavy than 84% of Function's catalogue
- Energy:
- calmer than 80% of Function's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 50%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 15%
- Upper-mid
- 570 Hz-2.5 kHz
- 7%
- High
- 2.5-11 kHz
FAQ
What key is Disaffected (Ben Klock mix) in?
Disaffected (Ben Klock mix) by Function is in G major, or 9B on the Camelot wheel.
What BPM is Disaffected (Ben Klock mix)?
Disaffected (Ben Klock mix) runs at 127 BPM, a peak-time tempo track.
What mixes well with Disaffected (Ben Klock mix)?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Disaffected (Ben Klock mix) good for peak time?
With energy 48 out of 100 at 127 BPM, it works best as a mid-set roller.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 127 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More techno
More from Function
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
