We Are Not Alone by Basement Jaxx cover art

We Are Not Alone

Basement Jaxx

30s preview

Key
1B · B major
BPM
127
Open Key
6d
Energy
55/100
Pop
0/100
Length
3:42
Released
2014
Genre
House
Loudness
-8.7 dB
Dynamics
11.6 dB
ISRC
GBPVV1400878

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

We Are Not Alone runs 127 BPM in B major (1B), a peak-time tempo house record. Tonally it lands dark and steady. Rhythmically it is built for the dancefloor. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 2014 production that still circulates in sets. More underground than 99% of Basement Jaxx's catalogue. For programming, treat it as a mid-set roller.

Energy:
calmer than 87% of Basement Jaxx's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy55
Mood32Dark
Groove72
Acoustic2
Instrumental0
Live21
Speech8

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
36%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
15%
High
2.5-11 kHz

FAQ

What key is We Are Not Alone in?

We Are Not Alone by Basement Jaxx is in B major, or 1B on the Camelot wheel.

What BPM is We Are Not Alone?

We Are Not Alone runs at 127 BPM, a peak-time tempo track.

What mixes well with We Are Not Alone?

From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.

Is We Are Not Alone good for peak time?

With energy 55 out of 100 at 127 BPM, it works best as a mid-set roller.

Mixes harmonically

1B12B · 2B · 1A

From 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.

Every move from 1B

2BSimple Mix Upper
12BSimple Mix Downer
1ATonal Shift·
2ADiagonal Mix Upper
12ADiagonal Mix Downer
4ACompatible Tone·
3BHigh Energy Boost▲▲▲
11BHigh Energy Drain▼▼▼
4BParallel Key Upper▲▲
10BParallel Key Downer▼▼
8BTritone Jump▲▲
5BRelated Keyrisky

How to mix it

In 1B at 127 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.

Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 127 — beatmatch without a big tempo pull.

#Track

More house

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track