Red Alert - Erick Morillo & Harry ‘Choo Choo’ Romero Vocal Mix
30s preview
- BPM
- 127
- Open Key
- 7d
- Energy
- 65/100
- Pop
- 0/100
- Length
- 6:53
- Released
- 2020
- Album
- Lost Remixes (1999 - 2009)
- Genre
- House
- Loudness
- -5.0 dB
- Dynamics
- 9.8 dB
- ISRC
- GBBKS2000139
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Red Alertoriginal2B · 74
- Red Alert - The Cube Guys Remix - Editremix5A · 125
- Red Alert - Mihalis BASS Remix - Editremix12A · 126
- Red Alert - Analog People In A Digital World Remixremix8B · 128
- Red Alert - Grant Nelson - Instrumentaloriginal2A · 125
- Red Alert - Grant Nelson - Instrumental - Editversion2A · 125
At 127 BPM in F♯ major (2B), Red Alert - Erick Morillo & Harry ‘Choo Choo’ Romero Vocal Mix is a peak-time tempo house production. The feel is bright and euphoric. The groove is strong and floor-ready. Its spectrum is weighted to the sub and kick, with a heavy low end. More underground than 99% of Basement Jaxx's catalogue.
- Groove:
- groovier than 93% of Basement Jaxx's catalogue
- Low end:
- more bass-heavy than 82% of Basement Jaxx's catalogue
- Brightness:
- brighter than 81% of Basement Jaxx's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Red Alert - Erick Morillo & Harry ‘Choo Choo’ Romero Vocal Mix in?
Red Alert - Erick Morillo & Harry ‘Choo Choo’ Romero Vocal Mix by Basement Jaxx is in F♯ major, or 2B on the Camelot wheel.
What BPM is Red Alert - Erick Morillo & Harry ‘Choo Choo’ Romero Vocal Mix?
Red Alert - Erick Morillo & Harry ‘Choo Choo’ Romero Vocal Mix runs at 127 BPM, a peak-time tempo track.
What mixes well with Red Alert - Erick Morillo & Harry ‘Choo Choo’ Romero Vocal Mix?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is Red Alert - Erick Morillo & Harry ‘Choo Choo’ Romero Vocal Mix good for peak time?
With energy 65 out of 100 at 127 BPM, it works best as a mid-set roller.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
How to mix it
In 2B at 127 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More house
More from Basement Jaxx
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
