Running Out - LA Riots Remix
30s preview
- BPM
- 128
- Open Key
- 8d
- Energy
- 67/100
- Pop
- 0/100
- Length
- 7:03
- Released
- 2010
- Album
- Running Out
- Genre
- House
- Loudness
- -4.9 dB
- Dynamics
- 12.3 dB
- ISRC
- GBLNZ1000164
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Running Out - Jordy Lishous Dope & Dirty Remixremix2B · 126
- Running Out - Mind Electric Remixremix8B · 128
- Running Out - Original Mixoriginal8B · 128
- Running Out - Redroche Remixremix3B · 126
- Running Out - Sabb & PRC FREAKS' Freaking Out Remixremix8A · 126
Against the original (8B at 128 BPM), this version holds the same tempo and moves the key from 8B to 3B.
At 128 BPM in D♭ major (3B), Running Out - LA Riots Remix is a peak-time tempo house production. It reads as punchy, neutral in mood. The groove is strong and floor-ready. It is vocal-led. Spoken-word passages run through it. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 12 dB). A 2010 production that still circulates in sets. More underground than 99% of Chris Lake's catalogue. In a set it works best as a mid-set roller.
- Groove:
- groovier than 94% of Chris Lake's catalogue
- Energy:
- calmer than 91% of Chris Lake's catalogue
- Low end:
- more treble-tilted than 91% of Chris Lake's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 29%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Running Out - LA Riots Remix in?
Running Out - LA Riots Remix by Chris Lake is in D♭ major, or 3B on the Camelot wheel.
What BPM is Running Out - LA Riots Remix?
Running Out - LA Riots Remix runs at 128 BPM, a peak-time tempo track.
What mixes well with Running Out - LA Riots Remix?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Running Out - LA Riots Remix good for peak time?
With energy 67 out of 100 at 128 BPM, it works best as a mid-set roller.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 128 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More house
More from Chris Lake
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
