Scary Monsters And Nice Sprites (Zedd Remix)
- Key
- 6A · G minor
- BPM
- 128
- Open Key
- 11m
- Energy
- 64/100
- Pop
- 3/100
- Length
- 5:58
- Released
- 2010
- Album
- Scary Monsters And Nice Sprites
- Genre
- Progressive House
- Label
- Mau5trap Recordings
- Loudness
- -3.7 dB
- ISRC
- GBTDG1000202
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Scary Monsters and Nice Sprites - Dirtyphonics Remixremix6A · 175
- Scary Monsters and Nice Sprites - Kaskade Remixremix6A · 128
- Scary Monsters and Nice Sprites - Phonat Remixremix4B · 140
- Scary Monsters and Nice Sprites - The Juggernaut Remixremix7A · 140
- Scary Monsters And Nice Spritesoriginal6A · 140
- Scary Monsters And Nice Sprites (Noisia Remix)remix6A · 140
Against the original (6A at 140 BPM), this version runs 12 BPM slower in the same key.
Scary Monsters And Nice Sprites (Zedd Remix) runs 128 BPM in G minor (6A), a peak-time tempo progressive house record. The groove is strong and floor-ready. It is vocal-led. Spoken-word passages run through it. The master is loud and heavily compressed. A 2010 production that still circulates in sets. Groovier than 99% of Skrillex's catalogue. In a set it works best as a mid-set roller.
- Energy:
- calmer than 86% of Skrillex's catalogue
- Reach:
- more underground than 85% of Skrillex's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Scary Monsters And Nice Sprites (Zedd Remix) in?
Scary Monsters And Nice Sprites (Zedd Remix) by Skrillex is in G minor, or 6A on the Camelot wheel.
What BPM is Scary Monsters And Nice Sprites (Zedd Remix)?
Scary Monsters And Nice Sprites (Zedd Remix) runs at 128 BPM, a peak-time tempo track.
What mixes well with Scary Monsters And Nice Sprites (Zedd Remix)?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is Scary Monsters And Nice Sprites (Zedd Remix) good for peak time?
With energy 64 out of 100 at 128 BPM, it works best as a mid-set roller.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
How to mix it
In 6A at 128 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More progressive house
More from Skrillex
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
![Helium (feat. Jareth) [Tom Swoon Remix] by Chris Lake cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/2f3c88e76bc9c7b8e97f.webp){kind=small}