Take your pills - Orginal
30s preview
- BPM
- 128
- Open Key
- 9d
- Energy
- 73/100
- Pop
- 0/100
- Length
- 6:11
- Released
- 2007
- Album
- Take Your Pills
- Genre
- House
- Loudness
- -12.6 dB
- Dynamics
- 16.1 dB
- ISRC
- FR27U0300535
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Take Your Pills (radio edit)version4B · 128
- Take Your Pills - Radio Editversion4B · 128
- Take Your Pillsoriginal4B · 128
- Take your pills - Sèbastien Lèger Remixremix3A · 127
- Take your pills - Zoo Brazil Remixremix9B · 128
Take your pills - Orginal: peak-time tempo house, A♭ major (4B), 128 BPM. The feel is punchy, neutral in mood. The mix is almost entirely instrumental. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 16 dB). A 2007 production that still circulates in sets. More underground than 99% of Sébastien Léger's catalogue.
- Low end:
- more treble-tilted than 83% of Sébastien Léger's catalogue
- Tempo:
- faster than 81% of Sébastien Léger's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 20%
- High
- 2.5-11 kHz
FAQ
What key is Take your pills - Orginal in?
Take your pills - Orginal by Sébastien Léger is in A♭ major, or 4B on the Camelot wheel.
What BPM is Take your pills - Orginal?
Take your pills - Orginal runs at 128 BPM, a peak-time tempo track.
What mixes well with Take your pills - Orginal?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Take your pills - Orginal good for peak time?
With energy 73 out of 100 at 128 BPM, it works best as a floor-filler.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 128 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More house
More from Sébastien Léger
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
