Sloane
30s preview
- Key
- 7B · F major
- BPM
- 128
- Open Key
- 12d
- Energy
- 73/100
- Pop
- 1/100
- Length
- 7:02
- Released
- 2009
- Album
- Humanica EP
- Genre
- House
- Loudness
- -8.0 dB
- Dynamics
- 13.5 dB
- ISRC
- GBLNZ0900120
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Sloane: peak-time tempo house, F major (7B), 128 BPM. Tonally it lands punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 14 dB). A 2009 production that still circulates in sets. Calmer than 84% of Chris Lake's catalogue. For programming, treat it as a floor-filler.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Sloane in?
Sloane by Chris Lake is in F major, or 7B on the Camelot wheel.
What BPM is Sloane?
Sloane runs at 128 BPM, a peak-time tempo track.
What mixes well with Sloane?
From 7B it blends harmonically with 8B, 7A, 6B. Moving to 8B lifts the energy a step.
Is Sloane good for peak time?
With energy 73 out of 100 at 128 BPM, it works best as a floor-filler.
Mixes harmonically
7B → 6B · 8B · 7AFrom 7B, 8B (C major) lifts the energy a step; 7A (D minor) settles into the relative minor; 6B (B♭ major) cools the energy down a step.
How to mix it
In 7B at 128 BPM: 8B (C major) — move to 8B to push the floor harder; 7A (D minor) — switch to 7A for a mood change without losing the groove; 6B (B♭ major) — drop to 6B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2B rather than 7B; below -5% it reads as 12B. With key lock on, it stays 7B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More house
More from Chris Lake
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
![Helium (feat. Jareth) [Tom Swoon Remix] by Chris Lake cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/2f3c88e76bc9c7b8e97f.webp){kind=small}
