Upside Down (feat. Poppy Baskcomb) - Extended
30s preview
- BPM
- 128
- Open Key
- 10d
- Energy
- 73/100
- Pop
- 18/100
- Length
- 6:24
- Released
- 2023
- Album
- Upside Down (feat. Poppy Baskcomb) [Extended]
- Genre
- House
- Loudness
- -7.6 dB
- Dynamics
- 9.6 dB
- ISRC
- US39N2301990
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Upside Downoriginal5B · 128
Against the original (5B at 128 BPM), this version holds the same tempo in the same key.
At 128 BPM in E♭ major (5B), Upside Down (feat. Poppy Baskcomb) - Extended is a peak-time tempo house production. Tonally it lands dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. More bass-heavy than 82% of Meduza's catalogue. For programming, treat it as a mid-set roller.
- Brightness:
- darker than 80% of Meduza's catalogue
- Tempo:
- faster than 79% of Meduza's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Upside Down (feat. Poppy Baskcomb) - Extended in?
Upside Down (feat. Poppy Baskcomb) - Extended by Meduza is in E♭ major, or 5B on the Camelot wheel.
What BPM is Upside Down (feat. Poppy Baskcomb) - Extended?
Upside Down (feat. Poppy Baskcomb) - Extended runs at 128 BPM, a peak-time tempo track.
What mixes well with Upside Down (feat. Poppy Baskcomb) - Extended?
From 5B it blends harmonically with 6B, 5A, 4B. Moving to 6B lifts the energy a step.
Is Upside Down (feat. Poppy Baskcomb) - Extended good for peak time?
With energy 73 out of 100 at 128 BPM, it works best as a mid-set roller.
Mixes harmonically
5B → 4B · 6B · 5AFrom 5B, 6B (B♭ major) lifts the energy a step; 5A (C minor) settles into the relative minor; 4B (A♭ major) cools the energy down a step.
How to mix it
In 5B at 128 BPM: 6B (B♭ major) — move to 6B to push the floor harder; 5A (C minor) — switch to 5A for a mood change without losing the groove; 4B (A♭ major) — drop to 4B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12B rather than 5B; below -5% it reads as 10B. With key lock on, it stays 5B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
![Helium (feat. Jareth) [Tom Swoon Remix] by Chris Lake cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/2f3c88e76bc9c7b8e97f.webp){kind=small}
More house
More from Meduza
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
