We Are - Molitor Remix
- BPM
- 128
- Open Key
- 7m
- Energy
- 72/100
- Pop
- 0/100
- Length
- 4:02
- Released
- 2014
- Album
- We Are (Heartbeats Remix Competition)
- Genre
- Progressive House
- Loudness
- -12.4 dB
- ISRC
- s201405146
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- We Are - Radio Editversion3B · 126
- We Are - Radio Editversion3B · 126
- We Are - Originaloriginal3B · 126
- We Are - Alen Sami & House Headoriginal1A · 126
- We Are - Fred Issue & Vikstrom Remixremix3B · 126
- We Are - In Stereo Remixremix3A · 126
Against the original (3B at 126 BPM), this version runs 2 BPM faster and moves the key from 3B to 2A.
At 128 BPM in E♭ minor (2A), We Are - Molitor Remix is a peak-time tempo progressive house production. Tonally it lands dark and driving. It is vocal-led. The master keeps real dynamic headroom. A 2014 production that still circulates in sets. More underground than 99% of Sebjak's catalogue. For programming, treat it as a mid-set roller.
- Groove:
- less groove-driven than 94% of Sebjak's catalogue
- Tempo:
- faster than 85% of Sebjak's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is We Are - Molitor Remix in?
We Are - Molitor Remix by Sebjak is in E♭ minor, or 2A on the Camelot wheel.
What BPM is We Are - Molitor Remix?
We Are - Molitor Remix runs at 128 BPM, a peak-time tempo track.
What mixes well with We Are - Molitor Remix?
From 2A it blends harmonically with 3A, 2B, 1A. Moving to 3A lifts the energy a step.
Is We Are - Molitor Remix good for peak time?
With energy 72 out of 100 at 128 BPM, it works best as a mid-set roller.
Mixes harmonically
2A → 1A · 3A · 2BFrom 2A, 3A (B♭ minor) lifts the energy a step; 2B (F♯ major) brightens to the relative major; 1A (A♭ minor) cools the energy down a step.
How to mix it
In 2A at 128 BPM: 3A (B♭ minor) — move to 3A to push the floor harder; 2B (F♯ major) — switch to 2B for a mood change without losing the groove; 1A (A♭ minor) — drop to 1A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9A rather than 2A; below -5% it reads as 7A. With key lock on, it stays 2A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
