Goulden Moulden
30s preview
- BPM
- 128
- Open Key
- 8m
- Energy
- 72/100
- Pop
- 0/100
- Length
- 7:17
- Released
- 2007
- Genre
- House
- Loudness
- -14.0 dB
- Dynamics
- 17.1 dB
- ISRC
- DEAZ30602043
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Goulden Mouldenoriginal3A · 128
- Goulden Mouldenoriginal3A · 128
A peak-time tempo house cut, Goulden Moulden sits in B♭ minor (3A) at 128 BPM. It reads as punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 17 dB). A 2007 production that still circulates in sets. More underground than 99% of Sébastien Léger's catalogue. In a set it works best as a floor-filler.
- Low end:
- more treble-tilted than 82% of Sébastien Léger's catalogue
- Tempo:
- faster than 81% of Sébastien Léger's catalogue
- Brightness:
- darker than 80% of Sébastien Léger's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Goulden Moulden in?
Goulden Moulden by Sébastien Léger is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Goulden Moulden?
Goulden Moulden runs at 128 BPM, a peak-time tempo track.
What mixes well with Goulden Moulden?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Goulden Moulden good for peak time?
With energy 72 out of 100 at 128 BPM, it works best as a floor-filler.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 128 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More house
More from Sébastien Léger
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
