Stand Alone (feat. Jareth Johnson)
30s preview
- Key
- 8B · C major
- BPM
- 128
- Open Key
- 1d
- Energy
- 69/100
- Pop
- 11/100
- Length
- 5:47
- Released
- 2012
- Album
- Stand Alone (feat. Jareth) (feat. Jareth Johnson)
- Genre
- House
- Loudness
- -3.3 dB
- Dynamics
- 12.4 dB
- ISRC
- USUS11200029
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Stand Alone (feat. Jareth Johnson) - Alternative Club Mixversion9A · 128
- Stand Alone (feat. Jareth Johnson) - Federico Scavo Remixremix11B · 127
- Stand Alone (feat. Jareth Johnson) - Zorastra Remixremix10A · 128
- Stand Alone (radio edit)version8A · 128
Stand Alone (feat. Jareth Johnson) runs 128 BPM in C major (8B), a peak-time tempo house record. It is vocal-led. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 12 dB). A 2012 production that still circulates in sets. Calmer than 89% of Chris Lake's catalogue. In a set it works best as a mid-set roller.
- Low end:
- more treble-tilted than 80% of Chris Lake's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Stand Alone (feat. Jareth Johnson) in?
Stand Alone (feat. Jareth Johnson) by Chris Lake is in C major, or 8B on the Camelot wheel.
What BPM is Stand Alone (feat. Jareth Johnson)?
Stand Alone (feat. Jareth Johnson) runs at 128 BPM, a peak-time tempo track.
What mixes well with Stand Alone (feat. Jareth Johnson)?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Stand Alone (feat. Jareth Johnson) good for peak time?
With energy 69 out of 100 at 128 BPM, it works best as a mid-set roller.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 128 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More house
More from Chris Lake
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
