Stand Alone (feat. Jareth Johnson) - Federico Scavo Remix
30s preview
- BPM
- 127
- Open Key
- 4d
- Energy
- 99/100
- Pop
- 2/100
- Length
- 7:04
- Released
- 2012
- Album
- Stand Alone (feat. Jareth) (feat. Jareth Johnson)
- Genre
- House
- Loudness
- -2.5 dB
- Dynamics
- 10.3 dB
- ISRC
- USUS11200668
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Stand Alone (feat. Jareth Johnson)original8B · 128
- Stand Alone (feat. Jareth Johnson) - Alternative Club Mixversion9A · 128
- Stand Alone (feat. Jareth Johnson) - Zorastra Remixremix10A · 128
- Stand Alone (radio edit)version8A · 128
Against the original (8B at 128 BPM), this version runs 1 BPM slower and moves the key from 8B to 11B.
At 127 BPM in A major (11B), Stand Alone (feat. Jareth Johnson) - Federico Scavo Remix is a peak-time tempo house production. The feel is punchy, neutral in mood. The groove is strong and floor-ready. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. A 2012 production that still circulates in sets. Hotter than 99% of Chris Lake's catalogue. For programming, treat it as a peak-time weapon.
- Groove:
- groovier than 92% of Chris Lake's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Stand Alone (feat. Jareth Johnson) - Federico Scavo Remix in?
Stand Alone (feat. Jareth Johnson) - Federico Scavo Remix by Chris Lake is in A major, or 11B on the Camelot wheel.
What BPM is Stand Alone (feat. Jareth Johnson) - Federico Scavo Remix?
Stand Alone (feat. Jareth Johnson) - Federico Scavo Remix runs at 127 BPM, a peak-time tempo track.
What mixes well with Stand Alone (feat. Jareth Johnson) - Federico Scavo Remix?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is Stand Alone (feat. Jareth Johnson) - Federico Scavo Remix good for peak time?
With energy 99 out of 100 at 127 BPM, it works best as a peak-time weapon.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
How to mix it
In 11B at 127 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 99/100).
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More house
More from Chris Lake
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
