Be Afraid of Rain
30s preview
- BPM
- 127
- Open Key
- 5m
- Energy
- 95/100
- Pop
- 0/100
- Length
- 6:55
- Released
- 2013
- Album
- Night Disorders
- Genre
- Techno
- Loudness
- -7.3 dB
- Dynamics
- 14.1 dB
- ISRC
- GB9GW1300022
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Be Afraid of Rain - Gaspar T Remixremix10A · 123
A peak-time tempo techno cut, Be Afraid of Rain sits in D♭ minor (12A) at 127 BPM. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 14 dB). A 2013 production that still circulates in sets. More underground than 99% of Andres Campo's catalogue.
- Energy:
- hotter than 85% of Andres Campo's catalogue
- Low end:
- more treble-tilted than 85% of Andres Campo's catalogue
- Groove:
- groovier than 77% of Andres Campo's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Be Afraid of Rain in?
Be Afraid of Rain by Andres Campo is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Be Afraid of Rain?
Be Afraid of Rain runs at 127 BPM, a peak-time tempo track.
What mixes well with Be Afraid of Rain?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Be Afraid of Rain good for peak time?
With energy 95 out of 100 at 127 BPM, it works best as a peak-time weapon.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 127 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 95/100).
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More techno
More from Andres Campo
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
