The Fall - Burnski Inside Room Mix
30s preview
- BPM
- 127
- Open Key
- 9d
- Energy
- 94/100
- Pop
- 0/100
- Length
- 6:49
- Released
- 2013
- Album
- The Fall EP
- Genre
- Techno
- Loudness
- -7.3 dB
- Dynamics
- 10.7 dB
- ISRC
- GB3CE1300006
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- The Falloriginal9B · 122
The Fall - Burnski Inside Room Mix is a peak-time tempo techno track in A♭ major (4B) at 127 BPM. The feel is punchy, neutral in mood. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2013 production that still circulates in sets. More underground than 99% of Harvey McKay's catalogue.
- Brightness:
- brighter than 95% of Harvey McKay's catalogue
- Energy:
- hotter than 91% of Harvey McKay's catalogue
- Low end:
- more treble-tilted than 78% of Harvey McKay's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is The Fall - Burnski Inside Room Mix in?
The Fall - Burnski Inside Room Mix by Harvey McKay is in A♭ major, or 4B on the Camelot wheel.
What BPM is The Fall - Burnski Inside Room Mix?
The Fall - Burnski Inside Room Mix runs at 127 BPM, a peak-time tempo track.
What mixes well with The Fall - Burnski Inside Room Mix?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is The Fall - Burnski Inside Room Mix good for peak time?
With energy 94 out of 100 at 127 BPM, it works best as a peak-time weapon.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 127 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 94/100).
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More techno
More from Harvey McKay
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
