Afterhours With You (Org Mix)
30s preview
- BPM
- 127
- Open Key
- 8d
- Energy
- 94/100
- Pop
- 3/100
- Length
- 7:39
- Released
- 2019
- Genre
- Tech House
- Loudness
- -7.8 dB
- Dynamics
- 13.4 dB
- ISRC
- GBLV61917336
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 127 BPM in D♭ major (3B), Afterhours With You (Org Mix) is a peak-time tempo tech house production. Tonally it lands bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). More treble-tilted than 94% of Toman's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- brighter than 89% of Toman's catalogue
- Energy:
- hotter than 84% of Toman's catalogue
- Reach:
- more underground than 80% of Toman's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Afterhours With You (Org Mix) in?
Afterhours With You (Org Mix) by Toman is in D♭ major, or 3B on the Camelot wheel.
What BPM is Afterhours With You (Org Mix)?
Afterhours With You (Org Mix) runs at 127 BPM, a peak-time tempo track.
What mixes well with Afterhours With You (Org Mix)?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Afterhours With You (Org Mix) good for peak time?
With energy 94 out of 100 at 127 BPM, it works best as a peak-time weapon.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 127 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 94/100).
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More tech house
More from Toman
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
