She Got Me by Toman cover art

She Got Me

Toman

30s preview

Key
3B · D♭ major
BPM
127
Open Key
8d
Energy
92/100
Pop
0/100
Length
6:35
Released
2019
Genre
Tech House
Loudness
-8.0 dB
Dynamics
17.1 dB
ISRC
DEY471821543

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

She Got Me: peak-time tempo tech house, D♭ major (3B), 127 BPM. The feel is punchy, neutral in mood. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 17 dB). More underground than 99% of Toman's catalogue. In a set it works best as a peak-time weapon.

Low end:
more treble-tilted than 97% of Toman's catalogue
Energy:
hotter than 82% of Toman's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy92
Mood53Balanced
Groove81
Acoustic1
Instrumental93
Live8
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
26%
Low
30-130 Hz
31%
Low-mid
130-570 Hz
25%
Upper-mid
570 Hz-2.5 kHz
18%
High
2.5-11 kHz

FAQ

What key is She Got Me in?

She Got Me by Toman is in D♭ major, or 3B on the Camelot wheel.

What BPM is She Got Me?

She Got Me runs at 127 BPM, a peak-time tempo track.

What mixes well with She Got Me?

From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.

Is She Got Me good for peak time?

With energy 92 out of 100 at 127 BPM, it works best as a peak-time weapon.

Mixes harmonically

3B2B · 4B · 3A

From 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.

Every move from 3B

4BSimple Mix Upper
2BSimple Mix Downer
3ATonal Shift·
4ADiagonal Mix Upper
2ADiagonal Mix Downer
6ACompatible Tone·
5BHigh Energy Boost▲▲▲
1BHigh Energy Drain▼▼▼
6BParallel Key Upper▲▲
12BParallel Key Downer▼▼
10BTritone Jump▲▲
7BRelated Keyrisky

How to mix it

In 3B at 127 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.

Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 92/100).

Similar tempo

Within ±3 BPM of 127 — beatmatch without a big tempo pull.

#Track

More tech house

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track