Never Ending Story
30s preview
- Key
- 9B · G major
- BPM
- 127
- Open Key
- 2d
- Energy
- 92/100
- Pop
- 19/100
- Length
- 6:20
- Released
- 2020
- Genre
- Deep House
- Loudness
- -7.6 dB
- Dynamics
- 10.8 dB
- ISRC
- GBLV61928763
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Never Ending Story is a peak-time tempo deep house track in G major (9B) at 127 BPM. The feel is dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Darker than 96% of Chris Stussy's catalogue. For programming, treat it as a peak-time weapon.
- Energy:
- hotter than 83% of Chris Stussy's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Never Ending Story in?
Never Ending Story by Chris Stussy is in G major, or 9B on the Camelot wheel.
What BPM is Never Ending Story?
Never Ending Story runs at 127 BPM, a peak-time tempo track.
What mixes well with Never Ending Story?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Never Ending Story good for peak time?
With energy 92 out of 100 at 127 BPM, it works best as a peak-time weapon.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 127 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 92/100).
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More deep house
More from Chris Stussy
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.