Never Ending Story by Chris Stussy cover art

Never Ending Story

Chris Stussy

30s preview

Key
9B · G major
BPM
127
Open Key
2d
Energy
92/100
Pop
19/100
Length
6:20
Released
2020
Genre
Deep House
Loudness
-7.6 dB
Dynamics
10.8 dB
ISRC
GBLV61928763

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Never Ending Story is a peak-time tempo deep house track in G major (9B) at 127 BPM. The feel is dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Darker than 96% of Chris Stussy's catalogue. For programming, treat it as a peak-time weapon.

Energy:
hotter than 83% of Chris Stussy's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy92
Mood30Dark
Groove80
Acoustic0
Instrumental91
Live11
Speech10

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
38%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
20%
Upper-mid
570 Hz-2.5 kHz
15%
High
2.5-11 kHz

FAQ

What key is Never Ending Story in?

Never Ending Story by Chris Stussy is in G major, or 9B on the Camelot wheel.

What BPM is Never Ending Story?

Never Ending Story runs at 127 BPM, a peak-time tempo track.

What mixes well with Never Ending Story?

From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.

Is Never Ending Story good for peak time?

With energy 92 out of 100 at 127 BPM, it works best as a peak-time weapon.

Mixes harmonically

9B8B · 10B · 9A

From 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.

Every move from 9B

10BSimple Mix Upper
8BSimple Mix Downer
9ATonal Shift·
10ADiagonal Mix Upper
8ADiagonal Mix Downer
12ACompatible Tone·
11BHigh Energy Boost▲▲▲
7BHigh Energy Drain▼▼▼
12BParallel Key Upper▲▲
6BParallel Key Downer▼▼
4BTritone Jump▲▲
1BRelated Keyrisky

How to mix it

In 9B at 127 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.

Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 92/100).

Similar tempo

Within ±3 BPM of 127 — beatmatch without a big tempo pull.

More deep house

More from Chris Stussy

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track