Mysteries of the Universe
- Key
- 9A · E minor
- BPM
- 127
- Open Key
- 2m
- Energy
- 91/100
- Pop
- 27/100
- Length
- 7:31
- Released
- 2022
- Genre
- Deep House
- Label
- Up The Stuss
- Loudness
- -10.5 dB
- ISRC
- UKACT2230453
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Mysteries of the Universe: peak-time tempo deep house, E minor (9A), 127 BPM. The mix is almost entirely instrumental. The master keeps real dynamic headroom. Hotter than 77% of Chris Stussy's catalogue.
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Mysteries of the Universe in?
Mysteries of the Universe by Chris Stussy is in E minor, or 9A on the Camelot wheel.
What BPM is Mysteries of the Universe?
Mysteries of the Universe runs at 127 BPM, a peak-time tempo track.
What mixes well with Mysteries of the Universe?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is Mysteries of the Universe good for peak time?
With energy 91 out of 100 at 127 BPM, it works best as a peak-time weapon.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 127 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 91/100).
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More deep house
More from Chris Stussy
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
