Groovy Mushroom - Edit by Sidney Charles cover art

Groovy Mushroom - Edit

Sidney Charles

30s preview

Key
3A · B♭ minor
BPM
127
Open Key
8m
Energy
91/100
Pop
7/100
Length
3:39
Released
2020
Album
Groovy Mushroom
Genre
Tech House
Loudness
-6.3 dB
Dynamics
19.7 dB
ISRC
GBLV61917416

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A peak-time tempo tech house cut, Groovy Mushroom - Edit sits in B♭ minor (3A) at 127 BPM. It reads as bright and euphoric. Rhythmically it is built for the dancefloor. The master keeps unusual dynamic range for club music (crest 20 dB). More treble-tilted than 99% of Sidney Charles's catalogue. For programming, treat it as a peak-time weapon.

Brightness:
brighter than 80% of Sidney Charles's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy91
Mood69Bright
Groove80
Acoustic0
Instrumental47
Live8
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
21%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
29%
Upper-mid
570 Hz-2.5 kHz
23%
High
2.5-11 kHz

FAQ

What key is Groovy Mushroom - Edit in?

Groovy Mushroom - Edit by Sidney Charles is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Groovy Mushroom - Edit?

Groovy Mushroom - Edit runs at 127 BPM, a peak-time tempo track.

What mixes well with Groovy Mushroom - Edit?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Groovy Mushroom - Edit good for peak time?

With energy 91 out of 100 at 127 BPM, it works best as a peak-time weapon.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

#Track

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 127 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 91/100).

Similar tempo

Within ±3 BPM of 127 — beatmatch without a big tempo pull.

More tech house

More from Sidney Charles

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track