Fantasy
- Key
- 8A · A minor
- BPM
- 133
- Open Key
- 1m
- Energy
- 92/100
- Pop
- 60/100
- Length
- 4:07
- Released
- 2026
- Genre
- Deep House
- Loudness
- -6.7 dB
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Fantasy is a peak-time tempo deep house track in A minor (8A) at 133 BPM. Tonally it lands bright and euphoric. Better known than 97% of Chris Stussy's catalogue. In a set it works best as a peak-time weapon.
- Groove:
- less groove-driven than 91% of Chris Stussy's catalogue
- Tempo:
- faster than 82% of Chris Stussy's catalogue
- Brightness:
- brighter than 82% of Chris Stussy's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Fantasy in?
Fantasy by Chris Stussy is in A minor, or 8A on the Camelot wheel.
What BPM is Fantasy?
Fantasy runs at 133 BPM, a peak-time tempo track.
What mixes well with Fantasy?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Fantasy good for peak time?
With energy 92 out of 100 at 133 BPM, it works best as a peak-time weapon.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 133 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 125-141 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 92/100).
Similar tempo
Within ±3 BPM of 133 — beatmatch without a big tempo pull.
More deep house
More from Chris Stussy
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 133 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
