The Player (Agent Orange Remix)
- BPM
- 127
- Open Key
- 9d
- Energy
- 92/100
- Pop
- 0/100
- Length
- 7:36
- Released
- 2012
- Album
- The Player (The Beatport Remixes)
- Genre
- Techno
- Loudness
- -5.8 dB
- ISRC
- AUXN21201042
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- The Playeroriginal1B · 126
- The Player - Onionz Remixremix3A · 130
- The Player - Flavio Diaz Remixremix4B · 127
- The Player - Joe Brunning & John McGough Remixremix4B · 131
- The Player - Lucas Keizer Remixremix3B · 128
- The Player - Rino Cerrone Remixremix8B · 127
Against the original (1B at 126 BPM), this version runs 1 BPM faster and moves the key from 1B to 4B.
A peak-time tempo techno cut, The Player (Agent Orange Remix) sits in A♭ major (4B) at 127 BPM. The feel is bright and euphoric. The groove is strong and floor-ready. It is vocal-led. A 2012 production that still circulates in sets. More underground than 99% of Carl Cox's catalogue. In a set it works best as a peak-time weapon.
- Groove:
- groovier than 92% of Carl Cox's catalogue
- Brightness:
- brighter than 89% of Carl Cox's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is The Player (Agent Orange Remix) in?
The Player (Agent Orange Remix) by Carl Cox is in A♭ major, or 4B on the Camelot wheel.
What BPM is The Player (Agent Orange Remix)?
The Player (Agent Orange Remix) runs at 127 BPM, a peak-time tempo track.
What mixes well with The Player (Agent Orange Remix)?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is The Player (Agent Orange Remix) good for peak time?
With energy 92 out of 100 at 127 BPM, it works best as a peak-time weapon.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 127 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 92/100).
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More techno
More from Carl Cox
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
