Be Afraid of Rain - Gaspar T Remix by Andres Campo cover art

Be Afraid of Rain - Gaspar T Remix

Andres Campo

30s preview

Key
10A · B minor
BPM
123
Open Key
3m
Energy
54/100
Pop
0/100
Length
5:24
Released
2013
Album
Night Disorders
Genre
Techno
Loudness
-10.6 dB
Dynamics
10.8 dB
ISRC
GB9GW1300023

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (12A at 127 BPM), this version runs 4 BPM slower and moves the key from 12A to 10A.

A club-tempo techno cut, Be Afraid of Rain - Gaspar T Remix sits in B minor (10A) at 123 BPM. It reads as dark and steady. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2013 production that still circulates in sets. More underground than 99% of Andres Campo's catalogue. In a set it works best as a mid-set roller.

Energy:
calmer than 98% of Andres Campo's catalogue
Groove:
groovier than 97% of Andres Campo's catalogue
Tempo:
slower than 93% of Andres Campo's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy54
Mood13Dark
Groove85
Acoustic0
Instrumental76
Live15
Speech21

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
42%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
17%
Upper-mid
570 Hz-2.5 kHz
13%
High
2.5-11 kHz

FAQ

What key is Be Afraid of Rain - Gaspar T Remix in?

Be Afraid of Rain - Gaspar T Remix by Andres Campo is in B minor, or 10A on the Camelot wheel.

What BPM is Be Afraid of Rain - Gaspar T Remix?

Be Afraid of Rain - Gaspar T Remix runs at 123 BPM, a club-tempo track.

What mixes well with Be Afraid of Rain - Gaspar T Remix?

From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.

Is Be Afraid of Rain - Gaspar T Remix good for peak time?

With energy 54 out of 100 at 123 BPM, it works best as a mid-set roller.

Mixes harmonically

10A9A · 11A · 10B

From 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.

Every move from 10A

11ASimple Mix Upper
9ASimple Mix Downer
10BTonal Shift·
11BDiagonal Mix Upper
9BDiagonal Mix Downer
7BCompatible Tone·
12AHigh Energy Boost▲▲▲
8AHigh Energy Drain▼▼▼
1AParallel Key Upper▲▲
7AParallel Key Downer▼▼
5ATritone Jump▲▲
2ARelated Keyrisky

How to mix it

In 10A at 123 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.

Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 123 — beatmatch without a big tempo pull.

More techno

More from Andres Campo

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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