What I Show To You - Loquace Remix
30s preview
- BPM
- 123
- Open Key
- 4m
- Energy
- 54/100
- Pop
- 6/100
- Length
- 8:20
- Released
- 2014
- Album
- What I Show To You
- Genre
- Tech House
- Loudness
- -10.1 dB
- Dynamics
- 11.3 dB
- ISRC
- DEHK31400414
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- What I Show To Youoriginal11B · 124
Against the original (11B at 124 BPM), this version runs 1 BPM slower and moves the key from 11B to 11A.
A club-tempo tech house cut, What I Show To You - Loquace Remix sits in F♯ minor (11A) at 123 BPM. The feel is dark and steady. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 11 dB). A 2014 production that still circulates in sets. In a set it works best as a mid-set roller.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 41%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is What I Show To You - Loquace Remix in?
What I Show To You - Loquace Remix by Fideles is in F♯ minor, or 11A on the Camelot wheel.
What BPM is What I Show To You - Loquace Remix?
What I Show To You - Loquace Remix runs at 123 BPM, a club-tempo track.
What mixes well with What I Show To You - Loquace Remix?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is What I Show To You - Loquace Remix good for peak time?
With energy 54 out of 100 at 123 BPM, it works best as a mid-set roller.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
![Between the Lines (Pablo Einzig Remix) [feat. Jan-Friedrich Conrad] by Just Emma cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/6c91f45a390a9a1e1732.webp){kind=small}
How to mix it
In 11A at 123 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More tech house
More from Fideles
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
