The Trigger - Kris Wadsworth Assid Clok Remicks
30s preview
- BPM
- 123
- Open Key
- 7m
- Energy
- 54/100
- Pop
- 0/100
- Length
- 7:02
- Released
- 2014
- Album
- The Trigger (New Versions)
- Genre
- Tech House
- Loudness
- -10.9 dB
- Dynamics
- 8.1 dB
- ISRC
- DEDL81300783
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- The Trigger - Synthapellaoriginal5A · 169
- The Trigger - Original Mixoriginal3B · 125
The Trigger - Kris Wadsworth Assid Clok Remicks runs 123 BPM in E♭ minor (2A), a club-tempo tech house record. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2014 production that still circulates in sets. More underground than 99% of Marc Romboy's catalogue. In a set it works best as a mid-set roller.
- Low end:
- more bass-heavy than 99% of Marc Romboy's catalogue
- Groove:
- groovier than 96% of Marc Romboy's catalogue
- Tempo:
- slower than 76% of Marc Romboy's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 54%
- Low
- 30-130 Hz
- 37%
- Low-mid
- 130-570 Hz
- 9%
- Upper-mid
- 570 Hz-2.5 kHz
- 0%
- High
- 2.5-11 kHz
FAQ
What key is The Trigger - Kris Wadsworth Assid Clok Remicks in?
The Trigger - Kris Wadsworth Assid Clok Remicks by Marc Romboy is in E♭ minor, or 2A on the Camelot wheel.
What BPM is The Trigger - Kris Wadsworth Assid Clok Remicks?
The Trigger - Kris Wadsworth Assid Clok Remicks runs at 123 BPM, a club-tempo track.
What mixes well with The Trigger - Kris Wadsworth Assid Clok Remicks?
From 2A it blends harmonically with 3A, 2B, 1A. Moving to 3A lifts the energy a step.
Is The Trigger - Kris Wadsworth Assid Clok Remicks good for peak time?
With energy 54 out of 100 at 123 BPM, it works best as a mid-set roller.
Mixes harmonically
2A → 1A · 3A · 2BFrom 2A, 3A (B♭ minor) lifts the energy a step; 2B (F♯ major) brightens to the relative major; 1A (A♭ minor) cools the energy down a step.
How to mix it
In 2A at 123 BPM: 3A (B♭ minor) — move to 3A to push the floor harder; 2B (F♯ major) — switch to 2B for a mood change without losing the groove; 1A (A♭ minor) — drop to 1A to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9A rather than 2A; below -5% it reads as 7A. With key lock on, it stays 2A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More tech house
More from Marc Romboy
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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