Don't Want by Tal Fussman cover art

Don't Want

Tal Fussman

Key
11A · F♯ minor
BPM
126
Open Key
4m
Energy
98/100
Pop
9/100
Length
4:54
Released
2024
Album
Focus - EP
Genre
Electro
Label
Drumpoet Community
Loudness
-10.1 dB
ISRC
DEM092400052

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Don't Want runs 126 BPM in F♯ minor (11A), a club-tempo electro record. Tonally it lands dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. The master keeps real dynamic headroom. Hotter than 94% of Tal Fussman's catalogue. In a set it works best as a peak-time weapon.

Groove:
groovier than 78% of Tal Fussman's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy98
Mood18Dark
Groove80
Acoustic0
Instrumental93
Live11
Speech7

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Don't Want in?

Don't Want by Tal Fussman is in F♯ minor, or 11A on the Camelot wheel.

What BPM is Don't Want?

Don't Want runs at 126 BPM, a club-tempo track.

What mixes well with Don't Want?

From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.

Is Don't Want good for peak time?

With energy 98 out of 100 at 126 BPM, it works best as a peak-time weapon.

Mixes harmonically

11A10A · 12A · 11B

From 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.

Every move from 11A

12ASimple Mix Upper
10ASimple Mix Downer
11BTonal Shift·
12BDiagonal Mix Upper
10BDiagonal Mix Downer
8BCompatible Tone·
1AHigh Energy Boost▲▲▲
9AHigh Energy Drain▼▼▼
2AParallel Key Upper▲▲
8AParallel Key Downer▼▼
6ATritone Jump▲▲
3ARelated Keyrisky

How to mix it

In 11A at 126 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.

Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 98/100).

Similar tempo

Within ±3 BPM of 126 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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