Midnight Hour with Boys Noize & Ty Dolla $ign
- Key
- 8B · C major
- BPM
- 126
- Open Key
- 1d
- Energy
- 90/100
- Pop
- 48/100
- Length
- 3:19
- Released
- 2019
- Genre
- Dubstep
- Loudness
- -4.2 dB
- ISRC
- USAT21903664
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Midnight Hour with Boys Noize & Ty Dolla $ign - Dub Mixversion10A · 126
- Midnight Hour with Boys Noize & Ty Dolla $ign - Mall Grab Remixremix10B · 139
- Midnight Hour with Boys Noize & Ty Dolla $ign - Four Tet Remixremix6A · 126
- Midnight Hour with Boys Noize & Ty Dolla $ign - Loco Dice Remixremix10A · 130
Midnight Hour with Boys Noize & Ty Dolla $ign: club-tempo dubstep, C major (8B), 126 BPM. The feel is dark and driving. Rhythmically it is built for the dancefloor. It is vocal-led. The timbre leans dark. The master is loud and heavily compressed. Groovier than 84% of Skrillex's catalogue. In a set it works best as a peak-time weapon.
- Tempo:
- slower than 76% of Skrillex's catalogue
- Reach:
- better known than 76% of Skrillex's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Midnight Hour with Boys Noize & Ty Dolla $ign in?
Midnight Hour with Boys Noize & Ty Dolla $ign by Skrillex is in C major, or 8B on the Camelot wheel.
What BPM is Midnight Hour with Boys Noize & Ty Dolla $ign?
Midnight Hour with Boys Noize & Ty Dolla $ign runs at 126 BPM, a club-tempo track.
What mixes well with Midnight Hour with Boys Noize & Ty Dolla $ign?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Midnight Hour with Boys Noize & Ty Dolla $ign good for peak time?
With energy 90 out of 100 at 126 BPM, it works best as a peak-time weapon.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 126 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 90/100).
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
